With people getting more experimental with their attires, a number of individuals are trying different hemlines to add glamour to their simple dress or kurta. Try out cuts like wrap, a feminine-sensual hemline like the trumpet or asymmetrical. Bhavya Chawla, chief stylist at Voonik, Siddhant Gupta, founder at Chique, and fashion designer Reynu Taandon, have listed ways on how different hemlines can be explored.
* Wrap: From the plain Jane wrap to the sexy twist wrap, the market holds multiple styles to suit each one of you.
* Trumpet: A feminine-sensual style that skims your hips and thighs and flares out slightly at the hemline which reminds you of the musical instrument after which it is named. With this ultra dainty hemline, wear delicate or strappy feminine or sensual shoes that show a lot of your feet. Boots and shoes with thick ankle straps defeat the purpose of wearing this feminine or sensual hemline.
* Handkerchief: This hemline is all flirty and free. Its whimsical vibes makes it the perfect wear for spring season. Being a versatile hemline it can be worn to work or even a party.
* Asymmetrical: Typically you will see this cut on skirts and fitted dresses in solid colours for both daytime and formal affairs. When worn with a casual skirt, a slouchy boyfriend tee loosely tucked in will balance out the fitted nature of the skirt. Let your shoes shine through a little more with this dress with an embellished sandal.
* Tea length: Starting to differentiate a little more, this cut falls at mid calf, and you’ll find it in a multitude of dresses from cocktail to wedding. Depending on the cut of the dress, it will draw attention to the calf and ankles, so be aware of your strong points.
* Mini: Used properly, it can lend an amazing dimension to a dress. Unfortunately, it is most often used improperly and ends up making the wearer look trashy.
* Floor length: This hemline falls just above the floor, and is one of the longer hems in the range of practical cuts. Unless you’re getting married, chances are you don’t want to wear a dress that is dragging on the floor all day.
* Ballet: This is the next highest, and should brush the ankles when fit properly. We are not talking a big difference from the floor length, but depending on the dress it can make or break the design. Used improperly, it will make the dress look like it doesn’t fit rather than enhance the overall silhouette.
* Ballerina: This cut should clear the ankles so the dress hangs above the ankle but below the calf. It’s very difficult to classify hemlines unless they are cut properly. A ballerina hem may be a ballet hem on someone who is two inches shorter.
THE sun is shining and we’ve got that Friday feeling, which can only mean one thing…it’s time for your fashion fix!
This week, Fabulous Shopping Editor and celeb stylist Nana Achaempong (Instagram: @styledbynana) is giving you all the goss on this week’s most lust-worthy fashion…
This week George at Asda invited me to gorgeous Coworth Park hotel and spa to check out the George S/S ’18 homeware collection.
The question was, what to wear to such a fancy spot on what was going to be the hottest day of the year so far… I decided on this Topshop dress, which I have since discovered is a complete sell-out!
Polka dots are a huge S/S ’18 trend and were spotted on the catwalks of Valentino, MM6 Maison Margiela and Self Portrait to name just a few.
The dress in question has been spotted – excuse the pun – on many influencers and celebrities, which led to it flying off the shelves nationwide.
And the super-affordable £49 price tag helps too!
But don’t fear, there are plenty of other fantastic polka dot dresses on the high street you can still get your hands on that will be ideal for pretty much any occasion – weddings, the races, brunch with the girls or, in my case, a fancy spa hotel!
Never one to miss a trick, Zara have embraced the polka dot trend
Tan polka dot dress, £25.99 from Zara
H&M’s polka dot dress is perfect for a warm summer evening
White polka dot dress, £49.99 from H&M
If you’re going out, opt for this cute mini-dress instead
Black polka dot dress, £29 from Topshop
Celeb Crush: BEYONCE. QUEEN B. BEY.
Now while I’m sure your Instagram feed was overloaded with Coachella pics last weekend, it would be a crime not to mention the insane performance that Beyoncé delivered in the desert.
What wasn’t there to love about her 100+ strong dancers and marching band, hubby Jay-Z, sister Solange and my faves Kelly and Michelle, who came on stage for a mini Destiny’s Child reunion?
Everyone’s outfits were designed by Balmain and looked epic!
Nearly a week later, I’m still obsessing over everything about Bey’s performance.
My so-called fashion life…
On a bit of a whim/New Year New Me moment, in January I signed up for the Hackney half marathon on May 20.
I’ve been documenting my training on Insta Stories and talking about it pretty much non-stop to anyone kind enough to listen.
I’ll be wearing my Nike React’s for this year’s Hackney Half
With the race date fast approaching, I was beyond excited when ASOS asked me to attend a 3K fun run to celebrate the new Nike flyknit racer trainers.
Held at the most Instagram-worthy cafe in east London, Palm Vaults, guests were not only treated to a brand-new pair of Nike trainers for the run, but we also had matcha tea on tap, plus avo on toast and vegan banana bread for breakfast – yum!
Palm Vaults served up a killer spread!
After a really inspiring talk from the ASOS and Nike panel, we headed off for our 3k run. The trainers are super-comfy and look great (millenial pink, anyone?), plus it was so much fun running in a group that I’ve decided to join a running club.
Having stylish workout gear is a great motivator for actually getting in some exercise – that or you can just look chic doing the weekly shop.
So here are some of my favourite brands to work out in.
Leggings, £60 from Bjorn Borg
Sports bra, £22 from ASOS 4505
Hot off the press…
If you haven’t heard the new H&M collaboration news, you must have been off Instagram for a week.
But I’m here to fill you in! At the annual Moschino Coachella Party, the high street store announced their new designer collab would be with none other than, you guessed it, Moschino!
Gigi Hadid modelled the H&M x Moschino collection to perfection
Jeremy Scott presented model pal Gigi Hadid, dressed in a small preview of what we can expect.
It doesn’t launch until November 8 (sob!) but mark it in your diaries now!
As the menswear collections shifted to the Milanese streets, so did a cacophony of textures with plush cords and muted tweeds electrified by flashes of Gucci and sunshine brights. Retro florals mingled with suited silhouettes, sharpened by trademark fine Italian tailoring. Naturally, the plummeting temperatures continued to bolster the Milan fashion crowd’s style credentials. Take notes for your winter wardrobe with Vogue‘s edit of the best street style from the Milan Fashion Week Men’s shows.
Hair color chameleon Blac Chyna has switched up her look yet again for an impromptu photoshoot in her own home.
The star is known to experiment with the boldest hair hues — even rainbow! — so it’s not surprising that only a few days into 2018, she’s giving baby pink a go. Chyna posed for a sultry photoshoot in her kitchen (because why not?) wearing a plunging, cleavage-revealing Fashion Nova dress and her millennial pink mane.
She didn’t keep the trendy hair color for long though. Soon after Chyna shared her sexy photos on Instagram, she posted another wearing a patterned bodycon Fashion Nova mini. But this time, she opted for a platinum blonde wig instead.
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Although her hairstyles don’t stay with her for long, Chyna’s lawsuit drama with the Kardashian family is continuing to follow her into the new year.
In October, Chyna filed a lawsuit against Rob Kardashian (the father of her 13-month-old daughter Dream) and his family alleging that he was damaging her brand and verbally and physically abusing her. But the Kardashians are fighting back.
Last week, Kris Jenner, Kim Kardashian and Rob’s attorneys filed a “demurrer” objecting to and asking for a dismissal of Chyna’s lawsuit against them, in which the mother of two claimed the Kardashians were responsible for E! not moving forward with the planned second season of Rob & Chyna.
Soon after, court documents also revealed that Rob is denying all assault claimsalleged by Chyna, including that he grabbed “phone from her hand and violently knocked her to the ground where she landed on her hands and knees” and ransacked her closet. However, according to Rob’s statement, “She did not suffer any injury or harm as a result of any conduct by [Kardashian].”
2017 was a year of suprises, and the fashion world followed suit. Some trends, like the rise of “athleisurewear” and the return of ruffles, were welcome additions. But other fashions left us shuddering, especially after models began sporting them on the runway, or style-stars started embracing them with open arms.
Check out this year’s roundup of the absolute worst fashion fads of 2017, and cross your fingers that they won’t sneak into the New Year, either.
Making their debut just in time for summer 2017, man rompers were the male fashion trend no one was expecting. Even still, more than a few brave souls sported them through the warmer months. There’s even a collection of Christmas and Hanukkah-inspired man rompers for the holiday party season.
For one day only, pizza chain Villa Italian Kitchen sold a two-piece swimsuit made entirely of real dough, cheese, sauce and pepperoni in what they dubbed “the world’s most mouthwatering bikini.” It was also probably one of the most expensive, too, at $10,000.
Sure, this concept has been around for a bit, but the bold trend really picked up steam this year. Favored by starlets and models who dared to bare, the risque look arrived in late August and hasn’t left red carpets since.
Cleverly repurposing loungewear as outerwear, the “pajamas as daywear” trend brazenly arrived in early 2017, wearing a smart, silken robe. The comfy-sleek look gained tractionwith celebrities like Gigi Hadid, Zendaya Coleman and Rachel Platten.
Celebrated Kenyan fashion designer and wedding connoisseur Wambui Mukenyi has unveiled her latest luxury bridal line, dubbed “Wambui Mukenyi Luxe”.
The event, unlike most others witnessed locally, happened on a “runway” 20,000 feet above sea level. The launch is apparently the first ever of its kind in Eastern, Western and Central Africa. The launch was an exclusive, invite-only affair and in partnership with Moët & Chandon.
Among invited guests were NTV‘s Kobi Kihara, model Pinky Ghelani, stylist Connie Aluoch, Couture‘s Olive Gachara, Kris Senanu and K24‘s Anjlee Gadhvi. They were served with free flowing champagne during the flight to Malindi and the experience extended to Diamonds Dream of Africa Beach Resort over an exquisite lunch.
“Well synchronised event, creative chic designs, great crowd and brilliant execution,” said Senanu, an entrepreneur and investor in the TV programme Lion’s Den.
16 BRIDAL GOWNS
According to Ms Mukenyi, Kenya is ready for luxury fashion. “Growing demand and support from our customers is the main reason we unveiled Wambui Mukenyi Luxe, ” she said, adding, “The miles-high launch was to signify the leaps that the brand is making. From Kenya to the world, by bringing the best of Kenya to the rest of the world. Making great strides together with partners who believe in us, like Moët & Chandon, and our consumers who trust us to take the journey together.”
Every collection showed the designer’s love for luxurious fabric, while at the same time instilling her African heritage to produce timeless, feminine pieces. The dresses, in particularly, stand out because of the statement they make. They have a contemporary and elegant edge perfect for today’s modern woman that needs to be unique without making too much effort.
During the unveiling, 16 bridal pieces were showcased. The first catwalk was in the plane, which saw the models display the four designs. The collection featured elegant and trendy pieces, each of them an easy fit with the power to make an ordinary woman feel and look stylish.
On landing in Malindi, the models took turns to showcase the rest of the designer’s work on the beach. Wambui admitted that it was not easy and that she wanted to do something that has not been done here before; to test unchartered waters. “This was a good experience. I showcased the new designs that are definitely going to take wedding gowns to the next level.”
SAMANTHA’S BRIDAL SHOW
“The feminine gowns are carefully made with every bride in mind. This is showcased by the daring, strapless necklines, complemented by delicately boned bodices that are reminiscent of Victorian corsetry,” she said.
The shy and soft-spoken mother of one has an eye for detail, perfect designs, fabric choices and silhouettes, while at the same time guaranteeing her clients’ style and confidence on their big day. She embraces both classic and new styles, which are effortlessly eye catching and capture many a bride’s fantasies.
Founded in 2009, the Wambui Mukenyi label is the brainchild of the self-taught designer. She joined fashion company JF Fashions as a finance intern, but her destiny twirled on the wheel of fortune, resting on fashion and design.
Ms Wambui began by making custom-made pieces for her clients in 2009, before she branched out to wedding gowns and ready-to-wear clothes full of creativity and style. Her big break came later in the year when her products were used by the cast of Shuga, a drama series themed on love, sex and money. Since then, demand for her label has been soaring. Her pieces have been featured in prestigious fashion magazines in Kenya.
In 2012, Wambui participated in Samantha’s Bridal Show and The Hub of Africa Fashion Week. She described the fashion week in Addis Ababa, Ethiopia, as a learning experience. In the same year, she collaborated with media personality Janet Mbugua to launch the Janet Collection, which boasts 20 designs.
Together they came up with designs that Ms Mbugua would be able to wear while travelling and for other formal occasions. Ms Wambui helped bring the combined ideas to life. Asked what is next for her, she said: “All we can say is, this is just the beginning. Stay with us, grow with us, and you shall see what awaits”.
The beret is… divisive. I know this first-hand, as I wear them regularly, in black, grey and raspberry. And while much discussion may be found online as to the angle at which one should be worn (pulled forward, or jauntily to the side, or covering your whole head, your hair croissanted up inside), of more help I think is the following tip. The trick to wearing a beret is to avoid eye contact with strangers. Then, when they shout something at you such as, “Bonjour!” (you’re from Hove) or, “Ooh Betty!” (you’re too young to get the reference), it’s far easier to pretend you haven’t noticed and carry on walking. Because in your head you’reMarlene Dietrich, as opposed to “all French people”. You’re Faye Dunaway. You’reDebbie Harry, pretending she’s Patty Hearst, pretending she’s a leftwing terrorist called Tania, with a machine gun and a cosy head. You’re Rembrandt, idiot.
It slides in and out of favour, the beret. The first examples were found by archaeologists in bronze age tombs, with berets also seen on sculptures in 12th-century Europe. Some were bigger, some floppier, but all were made of felt, the oldest form of cloth, created by pressing wool, hard. Shepherds used to fill their shoes with tufts from the sheep; as they worked and sweated, felt was made. Berets were adopted by peasants, then royalty, then the military, then artists. But in 2002 the market had all but dried up – 40 years earlier there had been 15 beret factories in Oloron-Sainte-Marie (France’s beret capital); by then there was just one. “We suffer from the savagery of fashion,” said Bernard Fargues, head of Beatex, the last beret maker in town. Which means today their luck could be changing. The beret is back.
In Maria Grazia Chiuri’s A/W 17 collection for Dior, every look came topped with a beret – the models were styled as romantic revolutionaries – and Rihanna wore hers in the front row, too. Vogue said the beret is “shaping up to be one of Fall 2017’s most ubiquitous items for gals and guys”. Which of course I applaud. Because there are few accessories as odd as the beret, few that signify conservative uniform as well as revolution and rebellious rock’n’roll. I mean, my dad has a beret. No, he has two, one French, after Picasso, one Spanish, like a Basque separatist. I’ve worn one since I was a child, photographed gazing wistfully out across a reservoir, then at art school, and on days when it rains. I lean towards a beret worn with buoyancy, after Princess Diana, and one fitted snugly, like Eddie Izzard protesting against Brexit.
A beret is perceived as a hat with power, whether the power to remain poised in a storm or to keep your hair on tight while you change the world. Today, with all that baggage, it is also perceived as a bit mannered. A bit whimsical. For example, a lot of Tesco’s fancy dress costumes come with a small polyester beret. We once bought a beret the size of a Pringle for my late cat (RIP). So, much as I love them, I understand the desire to roll an eye at the sight of one approaching on an urban street. For a hat that can fold up to the size of an Oyster card, this one comes with a lot of crap to carry around. But it’s worth it, as long as you realise that by wearing a beret, you’re always on the frontline.
Fashion Week is a circus, and no one relishes the big top more than Jeremy Scott.
The designer’s February runway show had fashionistas sweltering in an 80-degree room as they waited for attendee Kylie Jenner to appear, 45 minutes late and with TV crew in tow. Gate-crashers stole seats, relegating top editors from Elle and Teen Vogue to watching a live stream of the presentation in a screening room. Model Gigi Hadid stormed the runway in velvet bell-bottoms emblazoned with the face of Jesus; Anna Cleveland sashayed in a gaudy, Vegas-era Elvis cape.
The industry Web site Fashionista.com called the event a “s – – tshow,” while other critics scoffed at the C-listers, such as Sofia Richie, mugging in the front row. But for Scott, that embrace of chaos, celebrity and kitsch is the whole point.
“I’ve always been inspired by pop culture,” the 42-year-old designer told The Post. “I’ve always been very democratic about my view of fashion and iconography.” As for his haters?
“I would say that they’re stuffy and they could go to another show.”
They do so at their own peril. This Fashion Week marks the 20th anniversary of Scott’s namesake brand — his show on Friday will be a retrospective of his career — and, love him or hate him, his postmodern, cartoon aesthetic is everywhere.
It’s on TV, with Katy Perry and Miley Cyrus strutting in his eye-popping designs at the MTV Video Music Awards. It’s on newsstands, where reality stars are on the cover of Vogue. It’s even on the Paris runway, with revered labels such as Vetements and Gucci splattering images from “Titanic” or Disney cartoons onto their clothes.
Having begun her career with small roles in CSI: NY and 90210 – as well as a small stint as a ‘briefcase girl’ on Deal or no Deal –Meghan Markle shot to fame in 2011 when she was cast as paralegal Rachel Zane in Suits.
Not her only reason for being in the spotlight, however, Markle has also been dating Prince Harry for the last nine months.
Confirming their relationship last November, Harry made an emotional appeal for the couple to be left in peace.
Instructing Kensington Palace to issue a statement on his behalf, Harry called Markle his “girlfriend” and noted that she had been the “subject to a wave of abuse and harassment” including a torrent of racist and sexist slurs by “social media trolls”.
Previously relatively quiet on the celebrity circuit, Markle met Prince Harry in Toronto in May 2016 during his promotional visit for the Invictus Games. Soon after she was photographed taking her seat in the royal box at Wimbledon.
While she is an ambassador for World Vision Canada as well as an advocate for United Nations Women, Markle’s father is a Hollywood lighting director and her mother a yoga instructor.
And while you may think balancing a role in a hot legal drama alongside humanitarian work would keep the young star busy enough, the star has also shown a keen interest in fashion.
Sitting front row during a number of shows at New York Fashion Week, Markle has shown her support to designers such as Tory Burch, Wes Gordon, Marchesa, Herve Leger and Tracy Reese.
Most famous of the quips attributed to the Austrian-born American designer Rudi Gernreich — now best remembered for his unisex creations and the topless bathing suit — was the dictum that “Fashion will go out of fashion.” As early as the 1960s, Gernreich foresaw a gradual winding down of the engine that had long propelled it: a pursuit of novelty and “modernity.”
“Items: Is Fashion Modern?,” the first show the Museum of Modern Art has devoted to the subject since Bernard Rudofsky’s seminal exhibition “Are Clothes Modern?” in 1944, takes up the multiplicity of questions provoked by a design field that, despite playing an integral part in all of our lives, continues to defy easy comprehension.
Never mind whether fashion is “modern.” What precisely is fashion in the first place? Is it just garments? Or is it a complex system, or an art form, or a cluster of random typologies? Those, among other hefty issues, will be taken up by the ambitious (and welcome) MoMA show, curated by Paola Antonelli, senior curator of the department of architecture and design at the museum — and a seasoned design world gadfly. The show will open in October.
A look from across The New York Times at the forces that shape the dress codes we share, with Vanessa Friedman as your personal shopper. Sent weekly.
To trace the history of fashion through objects and their ancient archetypes, the show’s organizers dipped into the material slipstream and fished out 350 objects representing 111 “typologies.” Just how deliriously diverse those typologies are was made clear by the museum on Wednesday with the release of a list itemizing the things to be displayed. And what a list it is, from kaffiyehs to kilts, flip-flops to guayaberas, pencil skirts to moon boots, Speedos to Spanx.
There is, of course, the classic little black dress, though rendered variously by designers and labels as disparate as Arnold Scaasi, Versace, Rick Owens, Dior and Chanel. There are platform shoes from Delman, Vivienne Westwood and Alexander McQueen, as well as some anonymous designers whose imaginations outstripped considerations as pedestrian as locomotion. There is, among the welter of things to be shown, a Rolex Datejust watch, some Lululemon Boogie pants and a pair of Olaf Daughters clogs no stereotypical Woody Allen character would once have been without. From someplace else on the spectrum of stereotyped wealth and consumption, there is a Birkin bag.
Hoodies and door-knocker earrings represent hip-hop style, or a variant of it. More conservative and demure forms of fashion expression take the shape of Thea Porter caftans, a pearl necklace, a button-down shirt and a bottle of Chanel No. 5. Another cause for eager anticipation is “Items: Is Fashion Modern?,” a publication bolstering the curators’ efforts to examine the profound effects that accessories and clothes have had on the culture of the 20th and 21st centuries. Perhaps as tantalizing as the learned essays and the weighty fashion discourse, there will also be a pop-up shop.